About Ebykr
Ebykr celebrates classic and vintage lightweight bicycles through provoking imagery and opinion. Ride along with us.
About Ebykr
Ebykr celebrates classic and vintage lightweight bicycles through provoking imagery and opinion. Ride along with us.

Terrot advertised on the wall for sixty years, and the sheets that survive run from the earliest days of the French cycling poster to the last of the marque’s bicycles. Twenty-one of them are gathered here, from the 1890s through the early 1950s: ornate art nouveau at one end, flat art deco lettering at the other, and a bicycle at the center of almost every one.
The strongest thread in the run is a single idea repeated. Between about 1900 and 1903 the marque commissioned at least five sheets that stage the same scene: a rider comes out of a stone railway tunnel toward the viewer while a locomotive runs out of the dark behind. The joke is that the bicycle is quicker than the train, and it is played straight — in color, in monochrome, once with an open motor car in place of the bicycle. The printers change across the series, Vercasson of the rue de Lancry, La Lithographie Parisienne under Romanet, Kossuth in Paris, but the idea does not.
From 1902 the work goes to one hand. Marius Rossillon, who signed himself M. Tamagno, drew seven Terrot posters in eight years and moved the marque out of the tunnel and into the mountains: a woman freewheeling past a Touring Club de France signpost warning of the descent from the Col du Tourmalet, a couple with a map open on the sand below Mont-Saint-Michel, a night ride away from a floodlit exhibition palace with the Arc de Triomphe on the skyline. Each sheet carries the marque’s competition record along its foot, and the awards those banners list date the pictures rather better than the estimates attached to them.
After 1913 the pictures get simpler and the copy gets better. Dréville drew a grinning rider freewheeling downhill reading a newspaper, under the best line the marque ever printed: rouler sur une bicyclette Terrot, c’est toujours descendre une côte — riding a Terrot bicycle is always freewheeling downhill. Then the drawing gives way to lettering, the range widens from cycles to vélomoteurs, scooters and motorcycles, and the last sheets sell the bicycle of the Union française to markets the marque had not been drawn for before.
Every sheet below is now cataloged on its own in the Ebykr Poster Archive, with its printed lettering transcribed line by line, its printer and agency credits recorded and its artist attribution checked against the sheet itself rather than taken on trust. The archive is searchable to the word and can be filtered by artist, decade and country.





















Related Ebykr Article:
Terrot: Forging the Way – https://www.ebykr.com/terrot-forging-the-way/
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